When zoo became nature. Copenhagen zoo and perceptions of animals and nature around 1900. I: Tidsskrift for Kulturforskning (NORSK)

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

When zoo became nature. Copenhagen zoo and perceptions of animals and nature around 1900. I: Tidsskrift for Kulturforskning (NORSK). / Gjerløff, Anne Katrine.

In: Tidsskrift for Kulturforskning, Vol. 9, No. 1, 2010, p. 22-37.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Gjerløff, AK 2010, 'When zoo became nature. Copenhagen zoo and perceptions of animals and nature around 1900. I: Tidsskrift for Kulturforskning (NORSK)', Tidsskrift for Kulturforskning, vol. 9, no. 1, pp. 22-37.

APA

Gjerløff, A. K. (2010). When zoo became nature. Copenhagen zoo and perceptions of animals and nature around 1900. I: Tidsskrift for Kulturforskning (NORSK). Tidsskrift for Kulturforskning, 9(1), 22-37.

Vancouver

Gjerløff AK. When zoo became nature. Copenhagen zoo and perceptions of animals and nature around 1900. I: Tidsskrift for Kulturforskning (NORSK). Tidsskrift for Kulturforskning. 2010;9(1):22-37.

Author

Gjerløff, Anne Katrine. / When zoo became nature. Copenhagen zoo and perceptions of animals and nature around 1900. I: Tidsskrift for Kulturforskning (NORSK). In: Tidsskrift for Kulturforskning. 2010 ; Vol. 9, No. 1. pp. 22-37.

Bibtex

@article{d05b7cd0833b11df928f000ea68e967b,
title = "When zoo became nature. Copenhagen zoo and perceptions of animals and nature around 1900. I: Tidsskrift for Kulturforskning (NORSK)",
abstract = "This article points out central historical themes in the debates and arguments given by the directors of Copenhagen Zoo for the zoo as an alternative to nature. When Copenhagen Zoo was founded in 1859, itsn purpose was divided equally between entertainment, enlightenment and symbolizing the glory of the Danish capital. During this period though, it also became possible for the Zoo to stage itself as a kinder place for animals, than {"}real{"} nature. In the early 20th century, the Zoo attracted attention from animal rights movements, wherefore the debates came to be structured around two radically different perceptions of nature. The article takes its outset in the arguments formulated by the three successive directors: Julius Schi{\o}tt, Waldemar Dreyer and Theodor Alving",
keywords = "Faculty of Humanities, Copenhagen Zoo, Perception of animals",
author = "Gjerl{\o}ff, {Anne Katrine}",
year = "2010",
language = "English",
volume = "9",
pages = "22--37",
journal = "Tidsskrift for Kulturforskning",
issn = "1502-7473",
publisher = "Novus forlag",
number = "1",

}

RIS

TY - JOUR

T1 - When zoo became nature. Copenhagen zoo and perceptions of animals and nature around 1900. I: Tidsskrift for Kulturforskning (NORSK)

AU - Gjerløff, Anne Katrine

PY - 2010

Y1 - 2010

N2 - This article points out central historical themes in the debates and arguments given by the directors of Copenhagen Zoo for the zoo as an alternative to nature. When Copenhagen Zoo was founded in 1859, itsn purpose was divided equally between entertainment, enlightenment and symbolizing the glory of the Danish capital. During this period though, it also became possible for the Zoo to stage itself as a kinder place for animals, than "real" nature. In the early 20th century, the Zoo attracted attention from animal rights movements, wherefore the debates came to be structured around two radically different perceptions of nature. The article takes its outset in the arguments formulated by the three successive directors: Julius Schiøtt, Waldemar Dreyer and Theodor Alving

AB - This article points out central historical themes in the debates and arguments given by the directors of Copenhagen Zoo for the zoo as an alternative to nature. When Copenhagen Zoo was founded in 1859, itsn purpose was divided equally between entertainment, enlightenment and symbolizing the glory of the Danish capital. During this period though, it also became possible for the Zoo to stage itself as a kinder place for animals, than "real" nature. In the early 20th century, the Zoo attracted attention from animal rights movements, wherefore the debates came to be structured around two radically different perceptions of nature. The article takes its outset in the arguments formulated by the three successive directors: Julius Schiøtt, Waldemar Dreyer and Theodor Alving

KW - Faculty of Humanities

KW - Copenhagen Zoo

KW - Perception of animals

M3 - Journal article

VL - 9

SP - 22

EP - 37

JO - Tidsskrift for Kulturforskning

JF - Tidsskrift for Kulturforskning

SN - 1502-7473

IS - 1

ER -

ID: 20568357